A little while ago Anthony Scully of ABC Open invited me to do a post on writing tips for historical fiction. It has been quite a journey working out my tips and whitling down my list to five. Along the way I contacted Justin Go, the author of The Steady Running of the Hour. His webpage details the research journey the writing of his novel took him on. I hope you enjoy my tips and would love to hear yours. Writing Historical Fiction.
I can’t believe that it’s nearly five years since I began thinking about a novel partly set in one of the field hospitals of the Macedonian Front. On Australia Day 2010 I did my first little field trip to scout for a family home for my main character. I walked Tyrrell and Wolfe streets that day but a month or two later decided on Mayfield, a suburb of Newcastle on the Hunter River. I barely knew a thing about the Macedonian front, that forgotten series of battlegrounds from WWI, but was determined to find out more. I skimmed through The Gardeners of Salonika by Alan Palmer, read up about the Australian nurses, orderlies and ambulance drivers who were there in Jan Bassett’s book Guns and Brooches. I also did more general reading about the war (including the excellent The Virago Book of Women and the Great War edited by Joyce Marlow) and found out details about the lives of not just Australian nurses but VADs.
My research into Australian VADs (Voluntary Aid Detachments – a sort of orderly, nurses’ aid and dogsbody) gave me information that turned out to be crucial to my plotting of The Grey Silk Purse. I actually had to change my storyline. In my early stages of research I decided my character Phyllis Summerville would become a VAD (her personality doesn’t lend her to the profession of nursing) and she would soon after be posted to France in the thick of all the fighting. WRONG! Australian VADs remained in Australia, working at hospitals looking after shell-shocked and disabled Australian serviceman, shipped home from the fighting. During 2010 I began interviewing residents about Mayfield after the war – obviously relying on memories their families may have passed down.
Through my research I met two very dear friends who helped me bring Mayfield to life – the late Helen Marshall and Vera Deacon, who is very knowledgeable about life on the islands in the Hunter River. In 2011 I decided to keep a blog of my struggles with the immense and intricate research that was needed for The Grey Silk Purse. On 16th June I wrote in my very first blog post: “At this stage it looks like my main character may be working at one of the Scottish Women’s Hospitals.” I had been inspired after discovering about the amazing Olive Kelso King and decided, yep, my girl would be working at one of the field hospitals of the SWH – Miles Franklin’s field unit as it turns out.
In 2012 I had a lot of research points to sort out. For instance, discovering as many Serbian words as I could that my main character would have spoken. (She was given a small Serbian phrasebook after her ambulance driver training). What was her driver’s uniform like? In which battle did my character Adrian Langley lose his leg? Would my young maid sleep at Summerville, the family home where she worked or would she go home? Were the Summervilles wealthy enough to have a chauffeur?
Around this time I met John Vandenberg, a wiki adviser and user, who gave me a crash course and said that if I didn’t put the Ostrovo Unit up on Wiki, the likelihood was that no-one else would. That started the ball rolling. I added Olive Kelso King as well, Dr Mary de Garis and just recently Dr Agnes Bennett. I knew, with dismay that there was no wiki entry for the Scottish Women’s Hospitals at that time. For me, it was just too big an undertaking – although by this time I had read many books on the subject.
Luckily last year I discovered Alan Cumming’s website www.scottishwomenshospitals.co.uk and he has done wonders in profiling the organisation, including travelling to Serbia. He has also been involved in a short film about the SWH. Last year Alan and I were able to work on the wiki entry for the Scottish Women’s Hospitals. I will be doing a biography on Kathleen Dillon soon. Although not Australian I relied quite heavily on her experience, as Head of the Transport Unit based at Yelak, for an important section in my manuscript. I am now actively seeking relatives of Australian women who worked for the SWH and will collaborate with Alan Cumming to get them up on his site. It has been a wonderful adventure discovering all about the Scottish Women’s Hospitals and I hope I can do more to raise awareness of this incredible and fascinating organisation. Please don’t hesitate to contact me. See this page for more information: Australians Working with the Scottish Women’s Hospitals.
From oblivion is what I mean. One of my main aims in being a writer is to preserve little known facts and make them sing in my fiction. I might have touched on this before but there were two facts (above all others) that I wanted to preserve in Tomaree and that was to do with the US servicemen based in Australia. But let me start at the beginning.
Tomaree is inspired not just by a real life love story but by a fascinating time in Australian history when approximately half a million US serviceman were stationed in Australia during World War II. There are a lot of facts in Tomaree – details of the Fly Point camp, the way Nelson Bay used to be in 1942 (just a jumble of small shops) details of campaigns in the Pacific and much more. But the two facts, that may seem trivial, but I wanted to include are: 1. that the American serviceman hated all our loose change. They couldn’t abide it heavy and jingling in their pockets – the threepenny, halfpenny, pennies etc. As related to me by a Nelson Bay Resident, the soldiers would dig their hands in their pockets offer up the change to the nearest small child and say, “Here kid, buy yourself an icecream.”
No. 2 is that wherever the soldiers were stationed in Australia, it was common for local residents to send a small boy (never a girl from what I read in a history book on the subject) into the street looking for a Yank to invite him home to tea. My Amercan Signals Officer is approached by such a small boy but has to refuse because he already has a dinner invitation. I feel very privileged to have the means to keep these sort of little known but important facts alive for the reading public of today. It’s what motivates me to seek out historical fact (like many historical fiction authors I’m guessing) and weave it into my fiction.
In a strange way too, fiction also preserves historical facts for readers. For some time now I’ve been researching Sydney in the 1920s. There are actually not many non fiction books available on the subject. Frustrated, I turned my attention to fiction but wondered where all the female fiction writers were who were writing at that time. There didn’t seem to be many listed in anthologies and literary records. At first I thought there was simply no significant female authors writing during the first two decades of the last century. I have since read Dale Spender’s Writing a New World and discovered that is not the case. They have been deliberately left out of literary collections and reviews – but that’s another blog. In this one I want to highlight how I have found historical fact in fiction.
As mentioned I turned my attention to fiction to help me research the 1920s and luckily discovered Ethel Turner’s daughter Jean Curlewis. Last month I read her third novel Beach Beyond set near Palm Beach and written in 1923. This week I have just finished her first novel written in 1921 – The Ship That Never Set Sail. Here is what I have been looking for the last six months – a real, vibrant Sydney – the Sydney of 90 years ago!
Here she is writing about Darling Harbour:
“They were gazing right down on to the littered decks of ships – they could almost have dropped pebbles into the holds – they caught intimate glimpses of donkey-engines and capstans and flying bridges and fo’c’stle hatches at a proximity impossible at the Quay. The huge funnels towered up right beside them. They could count the cases and barrels and mysterious bulging sacks and great green clusters of bananas scattered on the wharves – gaze down into the dull green water, deep-hued as a peacock’s tail with a film of oil from some passing steamer. All the vast detail of the fifth port of the Empire was spread beneath their eyes: “the beauty and mystery of the ships”; all Darling Harbour stretching like a river between its vessel-teeming banks into the very heart of the city.” Marvellous and better than any history book!
There are also descriptions of White City, now long vanished, a ball on board a warship, something called a gypsy tea, the Blue Mountains when it was smaller and quieter with barely any cars on the road, and Pittwater. A wharf at Newport is mentioned and a pier “that ran out from a green garden full of white pigeons, scented verbena and mauve blue Love-in-a-Mist.” This is very near where I used to live but of course the garden is long gone. I’m so thankful to have found Jean Curlewis. Her words have been helping me to recreate in my mind another Sydney. I hope to track down more lost authors, to read, review and discover the Australia they lived in.
Yes, it’s a serious problem for historical fiction writers when doing research – staying on track. In the 1980s I went through all the photography books (and there was a lot) at Dee Why Library. Of course I didn’t need to look at all the photos – most didn’t have anything to do with the manuscript I was writing but what the heck! Now with the net the problem is magnified 100 times over. The number of photos that are available is staggering. Google images, Instagram, Flickr, Trove – all waiting quietly (Hey, don’t mind me!) to lead you away from words on a screen/page.
In this instance Pinterest was the culprit. I had been googling 1920s clothes and pinning them on my board Research for my next novel. Pinterest, being very helpful, kindly said “You might like this!” and there was a board on the 1920s that I decided to follow. Some boards are small of course and only take a few minutes to glance over but occasionally I would find myself drifting away from my writing. You know how it is! I love that dress of Audrey Hepburn’s! And really, Warren Beatty was pretty good looking when he was young. Wow, I want to go to that French village right now. This sort of thing happens frequently when I’m on the net but no harm here! This board was on topic – the 1920s. I scrolled down through the images and there she was! Simply a girl on a beach, looking sad yet sort of posed at the same time. I was done for! My writing and research lost for the rest of the evening.
I found myself really studying the photo. Gosh, it does look posed. A publicity shot for a now unknown actress? A photographer friend suggested it was actress Edna Purviance, Charlie Chaplin’s leading lady in many of his films. I googled images of her and decided no, it wasn’t her. I then did a Tin Eye reverse image search. The one that was pinned on Pinterest had no name or details. Maybe another image might have more information. Tin Eye came up with 24 results and it appears the original photograph is a Getty image taken by the French photographer Roger Viollet with a title of “Swimmer on the beach of Deauville (Calvados), about 1925”. A location but no name!
I searched her face again. She really was very pretty! Maybe it was a lucky snap that became a bit of a hit and the damsel was pinned up wherever males congregate. I’m guessing she might have been extremely popular with the French Foreign Legion when the state of her chest was noticed! She is actually striking a pose similar to Farrah Fawcett in that that red swimming costume back in the seventies!
None of this helped me identify her of course and why is she sitting by herself? Is she waiting for someone?I believe she wasn’t an actress because I’m sure if she was, she would have been identified by now. I mean, how many photos do we view a day? Even when we aren’t researching, people put up posts asking please identify. Photos are multiplied over and over in vastly different locations. Gradually the dots are joined but not for the moment for my girl at the beach.
Three hours later after originally viewing her picture, my manuscript is pushed to the back of my mind. I have lost valuable time and asked unanswerable questions, such as: Who was she? Was she a model? What did she do with her life? She’s about the same age as my character. I wish I could chart her life through known facts so that I can have a few signposts for my girl; be made aware of what it was like to be young and beautiful in the 1920s.
She has led me on a merry dance but then I stop and look at her once more. Actually she hasn’t. I’ve only just realised why she caught my attention in the first place. She has abundantly thick and wavy hair – auburn, I’m guessing, just like my main character Sarah Montague’s. I haven’t lost time. Here is a real life sister for an imaginary young woman that I need to return to.
I think we’ve all done it as some stage and not especially in the past – spent time looking for something, not knowing what that something is! What exactly am I looking for, we ask ourselves. We stop for a moment, think about it and then begin again none the wiser.
I’m searching in Sydney’s way back past for either an old house that has been turned into a block of flats or perhaps a particular row of terrace houses. I’ve been gazing at photographs of the old villas of Darlinghurst at this wonderful website, My Darlinghurst. I’ve also been looking at certain streets, especially Darlinghurst Road. The City of Sydney Archives are great for that purpose, particularly the demolition books. I stumbled on their existence when I was looking for cafes in 1924. (I still need a small one in Pitt Street.) I will shortly begin searching the 1,866 Darlinghurst images here. I should surface in a week or so.
My search for the perfect flat for Raye Reynolds my doomed artist is starting to get frustrating but I know what the problem is – I want not just her flat but something of the street as well. Maybe just down the road is the Kings theatre, or a park where she goes sketching or a cafe where she scrapes together the money for a pot of tea. So I know I’m looking for a flat plus something else. I’m hunting for a detail that will help fix the flat in the reader’s mind. Maybe its a massive frangipani tree out the front. Now that’s a thought! Or maybe something else.
I wasn’t sure what that indefinable something was when I was researching the Ambassadors Cafe late last year. See this post. I knew I was spending too much time researching but my writing was stalled. I found out where the cafe was, what it looked like and the band that played there in in early 1924 (the last detail I didn’t even end up using). The very last thing I found out before the scene almost wrote itself was that there were private rooms off the main dining area! Private saloons! I put my six characters in the private room. Even worked out who sat where. There were introductions as a few didn’t know each other. They sat down at the oval table, began to talk and the chapter was away!
Think of me as I disappear in the demolition books. I’m sure I’ll come back with something interesting!
I‘ve been doing that for quite a while now for two very different reasons but I had better start at the beginning. I first discovered that I really wanted to read Eleanor Dark‘s first novel way back in the early 1990s. I was researching my third manuscript set between the wars and as the tone of the times (as I like to think of it) is always very important to me I generally try and read at least a few books written during the time that I am researching. By then I had read Prelude to Christopher and thought it marvellous so I was quite interested in reading Eleanor Dark’s very first novel. I can’t recall the exact details but it became obvious that there were limited copies available and I think I had to either try and buy a copy online (which I never attempted) or read the book at the Mitchell Library. Also impossible with a young child and a very unsympathetic husband.
Life moved on. For me there was a divorce and a move up the coast, a World War II novel (Tomaree), a contemporary novel (Crossing Paths: the BookCrossing Novel) and then a manuscript set during World War I (The Grey Silk Purse). As research for that book I thought I would finally attempt to read Slow Dawning and this is when the waiting really began.
In July 2011 whilst researching transport during WWI, I requested Slow Dawning along with another book. I did this online during the week to make sure both books would be available for me after I got off the Newcastle train and arrived at the Mitchell Library in Sydney. On arrival I was told that Eleanor wasn’t there. I said I requested it. The staff nicely informed me there was a delay of about half an hour. She couldn’t be quickly located.
By the time the book turned up I was deep in my other research and only gave the novel a cursory glance. I was still at this stage thinking I could read it in several sittings or just glance through it and dismiss it (particularly after what Eleanor Dark’s biographer had written about the book). I did neither. I decided I really wanted to read it but wasn’t sure how I could achieve this as I knew by 2011 that the book couldn’t be bought online. Surprisingly no second hand book shop on the net had it available for sale (and still doesn’t). I reluctantly returned the book and thought I would have a look at it again next time I was at the Mitchell and hopefully not as busy.
On Saturday, 26 January this year I arrived off the train, keen to have another look at Slow Dawning. It was my main focus this time. I went to the desk to pick the book up and they told me it wasn’t there and would take a while for them to find it. I said this had happened last time and why couldn’t it be ready when I put a special request in for it? They didn’t know. I was frustrated and beginning to wonder why this book AND ONLY THIS BOOK kept me waiting. It arrived and I began to read Slow Dawning. Because of the delay in arriving I didn’t have much time with the book and was now more determined than ever to read it.
I took it to the front counter and asked if I could photocopy the book. They said yes and calculated the cost – approximately $30. Being a starving artist I didn’t have the money to spare that weekend but promised myself I would be back in a few months to finally read Eleanor Dark’s first novel. What a mission!
On Saturday 1st June I had an awful trip down on the train, missed my connection and had a wait at Gordon station. By the time I arrived at the Mitchell I was already very frazzled and precious time had again gotten away from me. I went to the front counter to pick up the book (as before ordered online for a quick pickup) and was told AGAIN the book wasn’t there! They couldn’t locate it. WELL… you can imagine what sort of mood I was in! I made a fuss (as much of a fuss as anyone can make in the hallowed rooms of the Mitchell Library). I was asked if I wanted to make a complaint. I said yes I did, mainly, I explained because obviously there was something wrong with the cataloguing of this particular book. I filled out the form (still haven’t heard anything back) and waited.
Finally after about thirty five minutes of twiddling my thumbs the book was in my hands and I went into the photocopying room to carefully copy each page. I began by putting twenty dollars on my card to do the photocopying with and the machine just ate my money. By this time I was practically in tears! The Library staff must have thought I was mad but eventually the money was allocated to my card and I spent over half an hour photocopying each page. Finally I was able to read Eleanor Dark’s first novel. Here is my review:
I have the book but I’m still not happy! I recently downloaded for free Betty Wayside by Louis Stone. This novel is from 1915 and is quite dated now but anyone can read it. The same should apply to Slow Dawning. In my opinion it has been forgotten because both the author and her biographer dismissed it as a potboiler. I argue that it is much more that that. I believe Eleanor Dark had serious intentions for this book but with the long delay in publication and the fact that sales were disappointing, she dismissed it as a potboiler to cover her disappointment. What serious novelist with literary aspirations sets out to write her first novel purely for money, particularly a book with a prophetic paragraph such as this:
“It was in this way that she had seen her fellow-women. They would climb at last, she dreamed, to a height where they would perform not only the artistic or intellectual work to which their natures inclined, but the normal functions of wifehood and motherhood as well – carrying a double burden as only they were privileged to carry it. A terrible fight, and a slow one, but epic in its magnificence. Generations it would take, and thousands of women would be the most bitter enemies of their own sex.”
No, I really think Dark had fairly high hopes for this first of her babies, especially when you consider her next novel Prelude to Christopher. You DO NOT as a writer, I believe, intend to write a potboiler as your first published work and then write something of such high standing as Prelude to Christopher as your second.
But the waiting for Eleanor is not over. This book should be made available for the general public to read. It is the first book, a very enjoyable novel, of one of Australia’s major writers. It should be accessible to all and the cataloguing problem needs to be fixed. Hopefully, something will be done about this sad state of affairs and Slow Dawning will eventually be available for everyone to read.
There are quite a few that are hiding from me. Images I’m talking about. After a few weeks of dogged research I have finally unearthed the photo above courtesy of Mike Sutcliffe’s article from This Australia 1986. I know the writing is small but according to the ad “Delightful hot supper from 10 o’clock…dancing until 1am…Order drinks before 6pm.”
Now that last is a vital piece of information – the ridiculous six o’clock closing which, of course, bred the sly grog shops and the illegal sale of liquor at many locations, including The Ambassadors. I have just this week finished writing about a raid on the cafe and have now turned my attention to other cafes in the area.
Jack Lindsay, Norman Lindsay’s son, writes of Mockbells: “I sat over my eked-out coffee and dozed amid the pseuod-moorish decorations almost obliterated by smoke, age, damp and their own insignificance.” I know from my research that there were a few over the years. One in Castlereagh Street (possibly Jack’s). Another in the Imperial Arcade in 1902. In 1897 a Mockbells cafe had a general meeting of the Society of Artists. That’s the earliest mention I have found. The latest is 1948 in an article: “Mockbell’s, Ltd., has agreed to sell six of the company’s seven city restaurants to a new company to be called Mockbell’s Pty. Ltd.” And after that they disappear. As for pictures? I haven’t found one! If anyone has any I would love to see them.
I have also been unable to find several other cafe/restaurants of Sydney in 1921-1926 that Jack writes about. There is the Cambridge, the Hungarian cafe, the Moana, the Roma and Burt’s Milk Bar. I have also not been able to unearth a picture of Amendola’s wine bar in Wilmott Street which later became Cafe La Boheme. Or Pelligrini’s. I’m still hopeful about these last two. And will post again if I find any of the cafes mentioned.
If however you are looking for a Sydney cafe frequented twenty odd years later by bohemians – journalists, writers and artists – well you are in luck! Below is one of many wonderful photos of the Lincoln Coffee House 1948-1951.
This image is courtesy of the State Library of New South Wales on Flickr. If you know of any photos of the above cafes and restaurants of Sydney in the Twenties, I would love to hear from you. Here’s hoping!
Basement and underground station deep actually! Did you know that under The Strand Arcade was the Ambassador’s Cafe? It was opened in late 1923 and the cafe was in the newspapers off and on throughout 1924 because of the illegal sale of liquor. You can imagine me jumping for joy when I discovered this. In point of fact this last week I’ve been seriously thinking of changing the opening chapter to January 1924 instead of October. Maybe even have my main character Sarah visiting the cafe on that fateful night in February. Just a thought…
At the moment I’ve written only four and half pages. This is the first novel that I have actually started without doing at least several months research beforehand, which is why I’m in a bit of a pickle. Very early on I was planning a garden party to be hosted at Sarah’s house in October with her controlling mother in her element and Sarah dodging as many eligible and boring bachelors as she can. But I’m guessing that not many garden parties in the twenties would have been hosted in the middle of summer. If I go ahead with the change in timeframe to accommodate all those lovely police raids I will have to forfeit the garden party.
I am now stuck wondering what social event the mother could organise in January – if any at all! You see this is just one of the many challenges historical writers face when they are recreating the past as accurately as they can. Challenges surface, more research is needed and then you stumble on an interesting fact that can trigger a scene, an event, even a very important location in the storyline.
I stumbled on the Scottish Women’s Hospitals in 2010 and what those women achieved during WWI ended up being a major theme in The Grey Silk Purse. In Paris Next Week, my new manuscript, my theme is the lost generation of the twenties – the frenetic surface glitter of their lives which I believe was a actually a psychological recreation to the great losses of WWI. How I can depict that aspect of history and still create an enjoyable novel is the task I’ve set myself, as well of course as getting to know Sydney in 1924.
It’s early days yet but I already know that Hyde Park was a mess from construction of St James Station so I can’t have Sarah and her beau conducting a romantic walk there. The very famous Australian restauranteur Azzalin Orlando Romano worked at the Ambassador’s cafe before opening his own restaurant. There was a police raid on Maxine’s – a dance hall in 1924 (another scene in Paris Next Week very possibly) and according to Jack Lindsay there was at least one coffee shop called Mockbells but more details are proving elusive. Something called The Blues was the new dance craze and there was a Hungarian cafe in Castlereagh Street. Heady stuff! This is where I long for the Tardis to just nip back to 1924. Oh to scout around and be a fly on the wall! I can only hope to do Sydney in 1924 justice.
From the moment I started writing in the early 80s, talking to elderly people has been a very enjoyable part of my writing life. The first person I remember interviewing was a friend of the family of my first boyfriend. I was now a married woman (not to the first boyfriend) and beginning a novel that was later abandoned. From memory she was very interesting to talk to. (Her name escapes me now.) She had grown up in an old log cabin somewhere in the sticks and as a middle aged woman had written parodies of the romantic short stories featured in the Woman’s Day and the Woman’s Weekly at that time. The stories were actually accepted much to her amusement. I can’t remember her name but after our short interview I didn’t see her again.
In late 1982 or early 1983 I interviewed two wonderful WWI soldiers living in a retirement village in Collaroy. One of them was a veritable minefield and I still have the notes I took from speaking with him. He was a sniper and told me some fascinating details not found in any history books. One interesting fact that concerned soldiers digging in under fire I actually used in my long short story The Running Lady published in Reveille in 1988.
In 2002 I was very lucky to be able to interview many elderly residents of Nelson Bay and Shoal Bay in regards to the US soldiers stationed there during WW2. At one stage I was driving up there once a fortnight to speak to someone about those fascinating times and I was always made to feel welcome. I think they enjoyed talking to me and I definitely enjoyed listening to them, including among many Mrs Blanch and Mrs Norburn.
In January 2010 I came up with the idea for a new novel and almost immediately I decided to set the novel, with the working title of The Grey Silk Purse, in Mayfield. I was unemployed for the first few weeks of that year and I spent a lot of time walking the streets and taking photos of beautiful old houses. I was also doing a lot of research on the net about the history of Mayfield. Two names repeatedly came up – Vera Deacon and Helen Marshall. I contacted Gionni di Gravio, the archivist at Newcastle University and asked him if it was okay to contact both of them. He said yes and told me where they lived.
I didn’t record the date I first rang Helen Marshall but we hit it off immediately and from May 2010 on I saw her quite regularly. I would visit her beautiful home in Elizabeth Street and mercilessly ask her questions. She loved talking about the old Mayfield and she would describe walks she went on with her father. I loved hearing about Mayfield as it was in the 30s and 40s and her memory was prodigious.
On one occasion she helped me map out a walk my character took near Platts Channel. She described in great detail a gate that led into the property of Argyle House (later the Murray Dwyer Orphanage). I explained what my character was doing. Helen described the gate for me, the latch and that there was lantana nearby. She could still remember the smell of the lantana. When I mentioned which way my heroine was walking home – up the steep slope by the side of the property to reach Bull Street – Helen told me that my heroine wouldn’t be opening the gate if she was going that way. I asked why and Helen explained that you only needed to open the gate to walk through the property if you were walking along by the channel. I was astonished that she could remember so much about a gate from around 1933 or so! I said as much and we had a good old laugh.
She also had very detailed memories of Waratah House which her father sketched before it was pulled down. On one of my visits Helen helped me mark out a map of the land near Platts Channel choosing the approximate location of Argyle House, Waratah House, the potteries, the ponds, the wheat field, a well and the dairy. (Not an easy feat with Industrial Drive and extensive industry transforming the landscape.)
Another day we actually designed the garden of the fictional house Summerville in Crebert Street. I still have the sketch in her hand. We also had some lovely talks over the Greg Ray books and an excellent book about the Middle East campaign of WWI. But apart from all this we were the best of friends. She wasn’t just an elderly lady with a fund of knowledge. She was someone that I knew I would have been life long best friends with in a parallel universe. As it was I only had less than three years to have lovely chats with Helen but I valued my time with her. I now miss her terribly. Her quick wit and her kindness were a joy to me and I know it will take me quite some time to get used to the loss of her friendship. I can still hear her saying happily: “You clever girl!” or “You are devious!” when I explained some plot intricacies in my writing. I know she enjoyed our talks and I definitely did. I’m so grateful that I knew her, if only for a short time.
Firstly, I can never feed the film on and get it started. It takes me forever. I am not very co-ordinated and as I struggle with the stupid reel I feel like I’m back at school. Secondly I need the print quite large so I spend my time going up and down each page so I don’t miss anything. And guess what? After half an hour of winding and bobbing up and down I’m suffering from motion sickness. So, not surprisingly, I only lasted an hour reading the October and November issues of the Newcastle Sun, 1917 yesterday morning but found a lot to giggle over.
One of my favourite things is something called Men and Women Personal Paragraphs with snippets of information such as: “Mr and Mrs Penny returned to Newcastle from Inverell today.” Or try this one: “Mr and Mrs P Gordon Campbell of Mayfield are spending a short holiday in Inverell.” Good to know!
And then there are strange ads for weird things like Fishers Phospherine, the Misses Tidey and Tinsley selling hats, Parisian Designed Frocks. Yes please. (Actually they didn’t look bad). There was a Mme Petrona in the movie The Panther Woman which sounds like it might give Sex and the City a run for its money and a news item entitled “Twice married woman thought husband dead.” I suppose she thought it was worth a try!
By this time I’m totally over the dreaded microfilm readers and haven’t found any ads for two cafes I know existed in Newcastle in 1922 – Tyrrells and Mitchisons. No more torturing myself on the reader. Instead next Saturday I’m going to do some research old style. I’m going to be flipping through newspaper clipping books, turning the pages leisurely and not listening to the crank of a microfilm reader.
Thank God for the snippers club at the Newcastle Family History Society at Lambton. They are a group of enterprising women who meet, chat and patiently snip out domestic and miscellaneous newspaper articles from the Newcastle Morning Herald and other local papers. Yes, I’m going there next Saturday morning and you might not hear from me again for weeks. After all I went there two years ago looking for the New Moon Dance Club who hosted the 1930 New Year’s Eve Dance Party at the Trades Hall in Newcastle and instead stumbled upon an article about a lost silver purse that inspired my current work in progress!